Her analysis is sometimes sketchy, but this is a thought-provoking overview of the relationship between sex and clothing. Steele's greatest strengths here are her flexible perspective and her deft negotiation of various theoretical perspectives. Throughout its history, says Steele, the corset has been condemned as an instrument of torture, a major cause of ill health and even death, and above all, as a coercive apparatus through which patriarchal society controlled women and exploited their. Consequently, psychoanalytic arguments that the fetish is always a stand-in for the phallus or feminist claims that certain fashions like corsets and high heels are intended to oppress women are potentially valid but reductive. So begins Valerie Steeleās fascinating book, The Corset: A Cultural History. The fascination with fetishist garb-corsets, underwear as outerwear, the use of ``kinky'' fabrics like rubber and leather-among prominent contemporary designers may, she proposes, signal our own culture's willingness to blur the boundaries between the ``normal'' and the ``perverse.'' Steele puts forward a fluid definition of fetishism, noting that its devotees exhibit a wide range of behaviors and that one particular style or object can have a variety of different meanings for different people. She asserts that fashion trends both reflect common sexual fantasies and help construct gender identities in this sense, clothing can function as an important marker of a culture's sexual politics. Drawing on psychoanalytic, poststructuralist, feminist and Marxist theory, cultural historian Steele (Fashion and Eroticism) explores the role fetishist sexual practices play in shaping fashion history.
0 Comments
Leave a Reply. |